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《文史哲》2014年第4期摘要

苏区文艺的组织化过程

日期: 2014-12-03 浏览:

苏区文艺的组织化过程

 

   

摘要:从1920年代末到1930年代,苏区文艺范式得以发生并走向成熟。通过从“娱乐科”到“宣传股”的行政机构建设,实现了红军文艺从娱乐到宣传的质变;“戏管会”到“工农剧社”的文艺组织架构明确了各级文艺生产机构的权限与规约;审查、培训和文艺批判等活动保证了红军文艺思想在苏区的确立与传播。这一系列组织手段的施行,在中国苏区形成了一套全新的文艺生产方法,将文艺理念通过组织的规范与运作传达并在每个支端末节建立其绝对的权威,决定着文艺的性质、目标以及具体文本叙述方式,不仅左右着苏区文艺的走向,而且随着红军的转移,直接构成了延安文艺的最重要内容,对中国大陆几十年的文艺状况产生了深远影响。

 

 

The Organizational Process of Literature and Art in the Soviet Areas        

                         

Li Zhen

Abstract: From the late 1920s to the 1930s, the paradigm of literature and art in the Soviet Areas occurred and matured. The qualitative change of the Red Army literature and art from entertainment to propagation was realized through the construction of administrative agencies from the “Entertainment Department” to the “Propagation Branch”; the organization structure from the “Opera Management Committee” to the “Drama Club for Peasants and Workers” defined the rights and rules of literature and art bodies at different levels; and the activities of scrutiny, training, and literary criticism ensured the establishment and dissemination of the Red Army literary thought in the Soviet Areas. The application of those organizational means formed a new method of literary production in Chinese Soviet Areas, broadcasting the literary idea through the norm and operation of organizations, and setting up absolute authority to every detail, which determined the nature and objective of literature and art, as well as the narrative of concrete texts. That did not only determine the tendency of literature and art in the Soviet Areas, but also directly form the most important content of the Yan’an literature and art with the transfer of the Red Army, and have profound impact on China’s literary condition for decades.