情感本体与刘勰关于文学价值的普遍设定
李咏吟
摘要：《文心雕龙》研究面临的全新的思想任务之一，乃刘勰的诗学思想如何启示当代中国诗学的新创造。从刘勰的情感本体论出发，联系当代文学本体论的研究成果，深入探索刘勰情感本体论的合理思想内核，无疑有助于文学本体论的思想重建。刘勰的“情感本体论”规定了文学的审美特质，彰显了文学创作的动力，确证了文学的思想方式，包容了文学的多元本体意蕴。在刘勰诗学中，情感本体与语言本体和形象本体，属于文学本体论的不同侧面；文学本体论是对文学本体特性或功能特质的内在规定，它不是对生存本体论的超越，而是服务于生存本体论自身。
The Emotional Noumenon and the Universal Setting on Literary Value by Liu Xie
Li Yongyin
Abstract:One brand new task of the studies of The Literary Mind and the Carving of Dragons is to reveal how Liu Xie’s poetic thoughts can inspire the new creation of contemporary Chinese poetics. Starting from Liu Xie’s emotional ontology, as well as combining it with the achievements in contemporary literary ontology, the deep research of the rational core of Liu Xie’s emotional ontology will undoubtedly help to reconstruct the literary ontology. Liu Xie’s emotional ontology provides the aesthetic characteristics of literature, demonstrates the impetus for the literary creation, confirms the thinking way of literature, and contains the literary meaning of pluralistic noumenon. In the poetic thinking of Liu Xie, emotion, along with language and image, are different sides of literary ontology. The literary ontology is the internal provision for the essential or functional characteristic of literature, which does not mean the transcendence of existential ontology, but serves the existential ontology itself.
