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《文史哲》2014年第1期摘要

论形式美之根:如何回答马克思的“形式美三问”?

日期: 2014-12-02 浏览: 12806

 

论形式美之根:如何回答马克思的“形式美三问”?

 

作者:赵经寰

摘要:马克思在1857年应约为《新美国百科全书》撰写“美学”条目,由于当时哲学、心理学和艺术史学资料缺乏,马克思提出了“形式美三问”之后,一直争论未果。这里,对该问题,尝试作如下回答:第一个问题形式美的哲学根据,笔者认为黄金律是可以见证的辩证法:依据黄金律数据画出的偏心涡状线和S线,反映了辩证法的全部规律,是美的两个典型图示,都属于一个立体的螺旋体(美的原型)。这一模型构成了形式美学体系的中心环节。关于第二个问题美的形式分析:自然美的本质是对立统一的抽象形式美;著名的建筑、雕刻、文字、书法、音乐、诗歌和绘画艺术的全部形式要素,构成了美所呈现的黄金律辩证法。第三个问题关于形式美的心理分析,实际上审美过程中视觉对有效信息的“特征抽取”和大脑进行加工整合时都有主观参与,审美是主客观的统一。

 

 

The Root of Formal Beauty: How to Answer Marx’s “Three Questions on Formal Beauty”      

   

Author: Zhao Jinghuan

Abstract: In 1857, Marx wrote the entry of “aesthetics” in The New Encyclopedia Americana on invitation. Due to the lack of materials on philosophy, psychology and history of arts at that time, Marx raised the “three questions on formal beauty”. Afterwards, arguments had been continued. The paper attempts to provide the following answer. About the first question, i.e. the philosophical basis of formal beauty, I think that the golden rule is the visible dialectics. Being the two typical diagrams of beauty, the eccentric spiral and S-line drawn according to the data of golden rule reflect all the rules of dialects, and both belong to a kind of three-dimensional spirochete, which is the prototype of beauty. This model constitutes the central link of the system of formal beauty. About the second question, i.e. the form analysis of beauty, the essence of natural beauty is abstract formal beauty with the unity of opposites; all the formal elements of famous building, sculpture, writing, calligraphy, music, poem and painting arts constitute the dialects of golden rule presented by beauty. About the third question, i.e. the psychological analysis of formal beauty, the fact is that the subjectivity participates in the aesthetic process when the visual sense makes “feature extraction” of the effective information, and the brain makes the processing integration; aesthetics is the unity of subjectivity and objectivity.