陈三立早期诗歌写作与晚清湘鄂诗坛 李开军
陈三立在光绪二十七年（1901）之前的诗歌写作，可视为他诗歌写作的早期。同为长沙时期（1877-1889），最初二三年里，陈三立的诗歌写作更近“唐音”；从《诗录》收诗的光绪六年（1880）起，此后几近十年间，陈三立在长沙追随王闿运，摹写汉魏六朝，尤其重视向晋宋诗人学习。进入武昌时期之后（1890-1895），即《诗录》收诗的最后五年，陈三立在张之洞、梁鼎芬等师友的影响下，转向对唐宋大家杜、韩、苏、黄等人的学习，呈现出“宋调”的风貌。此一转变，契合了陈三立的性情与才学，并得到黄遵宪的肯定。
Chen Sanli’s Early Poetry Works and the Poetic Circle of Hu’nan and Hubei in the Late Qing Dynasty Li Kaijun
Chen Sanli’s poems written before 1901 can be regarded as his early poetry works. When he stayed in Changsha during 1877 to 1889, Chen’s poems were closer to the “rhyme of the Tang Dynasty” in the first two or three years; during the next years for nearly one decade from 1880, the starting year of A Poetry Record, Chen Sanli followed Wang Kaiyun, and began to imitate the style of the Han, Wei, and the Six Dynasties, especially valuing to learn from the Jin-Song poets. From 1890 to 1895, while he lived in Wuchang, i.e. the last five years of A Poetry Record collecting, Chen turned to learn from the masters of Du Fu, Han Yu, Su Shi, Huang Tingjian et al in the Tang and Song Dynasties under the influence of Zhang Zhidong, Liang Dingfen and other teachers and friends, thus his poets began to present the “tone of the Song Dynasty”. This change accorded with Chen Sanli’s disposition and talent, thus gained appreciation of Huang Zunxian.
