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《文史哲》2016年第2期摘要

数律化美学模型和形式美学体系框架

日期: 2016-03-23 浏览:

数律化美学模型和形式美学体系框架                                                             赵经寰

从黄金律的内涵、外延的拓展和黄金律与辩证法的同一性和特殊性的分析来看,黄金律就是“形式辩证法”,形式辩证法的具体模式就是三图一组的“数律化美学模型”;DNA结构数律的新发现及其契合于黄金律恒等式的新结论,以及对性染色体的性状,为美和性是同源共生和表里相依的论断提供了根据,因此,在生命科学的分子水平的层面揭示了美的起源、本质和演变规律;美学模型与格式塔心理学互融互通,可重解自然美和传统、现代、后现代艺术风格史,是构建一个由九个有机部分组成的现代形式美学体系框架的基础。

 

An Aesthetic Model of Numbers and the Framework of Formal Aesthetics                         Zhao Jinghuan

   Through the analysis of extension of the connotation and denotation of the golden rule, as well as the identity and particularity of the golden rule and dialectics, it can be concluded that the golden rule is just a kind of “formal dialectics”, which can be concretely represented in an aesthetic model of numbers. The discovery of number regularity of DNA structure, the conclusion that this structure corresponding to identical equation of the golden rule, and character of sex chromosome, all provide the basis for the inference that beauty and sex share common origin and depend on each other. Thus the origin, nature, and evolvement rule of beauty is revealed on the level of molecule in life science. Interacting with Gestalt Psycology, the aesthetic model can interprete the natural beauty, as well as the history of classical, modern and postmodern styles of art, which can construct the foundation of modern formal aesthetics composed of nine organic fractions.